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There are things that we are embarrassed by. The stereotypical example is the guy in high school who plays football, but really likes theater and doesn’t want his friends to know. We all have that part of us that we keep to ourselves, not because we want to keep it private or that it is wrong or illegal, but because we fear that it will negatively alter the way our friends and family view us because we are the only ones who truly understand it. For me, that’s “Teddy the Bear.”
Recently, my friend put my embarrassment into perspective for me. She thought that I was being too protective of myself, not letting people in. Being the guy who is very outgoing and even being willing to describe my life in the print of the newspaper, I thought she was off base. But later that day, I was hanging out while the final touches were being done for issue eight of the Star, and something happened. A colored picture of Teddy is my computer background and one of the editors commented on how she had never seen a colored drawing of Teddy. I suddenly became shy and sort of nodded, made a small joke, logged off and just changed the subject.
On paper, it’s hard to not be a tad bit embarrassed by what I do. I am a 23-year-old guy who derives great pleasure from drawing cartoon bears. But it is truly what I love to do. I have risked failing classes because I would rather doodle a Teddy comic than listen to the professor discuss the upcoming mid-term.
When I am unsure of what I want to do with my life, I think of this quote from Howard Thurman: “Don’t ask yourself what the world needs; ask yourself what makes you come alive. And then go and do that. Because what the world needs is people who are alive.”
During high school, I lost sight of this. For four years, four years that could’ve been spent getting better and honing my craft, I put down my pen and put down my love. I let my desire to grow up and look cool to girls and my friends distract me from my love. Throughout my whole life, I had been known as the kid who draws, but now I was someone else. Even coming to Sonoma State, I hadn’t actively drawn Teddy since freshmen year of high school. While I wasn’t exactly unhappy during this time, I wasn’t myself. I wasn’t allowing myself to come alive.
I’ve been drawing since I was five. This is the fourth iteration of “Teddy the Bear.” Over the years, Teddy has changed in look and mannerisms and format. The first was a combination of Archie comics and the “Peanuts” strip. It was just a group of bears who lived in a town and hung out. It was my life as played out by a cast of bigheaded bears.
As I grew up, Teddy did as well.
No longer did I have characters with names like Bobo and Blinky. I’ve been able to flesh out my ideas and find my voice and a cast to fit that.
Teddy’s best friend is the spikey-haired guy. His name is Bert Johnson and is a carryover of my junior-high attempt to copy “Garfield” called “Leonard P. Dog.” He has always been the voice of reason.
The female girl is named Charlie, and she and Bert are eventually going to be an item. She is new to the strip, and so is Teddy’s balding father, Wayne Bear, who is named after my dad. The female bear is the only other constant in the lifetime of “Teddy the Bear.” Her name is Luann and her and Teddy are soul mates. She was created because I was in love with a girl through out all of elementary school and that little part of me that remains the six year old and remembers seeing that girl for the first time is what fuels Teddy’s love for Luann. The bear with the eye patch is aptly named “Patches” and is from a failed strip called “Radicals.” He is the villain of the story, but is as evil as Will Ferrell impression of George W. Bush. His human friend, the guy with the goatee and the bowl cut is Clark Dark and has the same design as a character from my clone of “Buffy the Vampire Slayer.”
Teddy started off as being ten years old, just finding out about girls, and now I do see him as having the mentality of a 20-something college student, mocking the crazy world that he is in. Teddy is me-and for a long while, I was embarrassed by him. But that is no longer who I am, I’m not embarrassed anymore. I own that piece of myself too much.
At the core of this strip is the sum total of my creative life. Every step of my life is reflected in this strip and I wonder what I would be if I had continued to deny that part of myself. To deny the small pieces of our selves is to actively choose to be incomplete. If I hadn’t brought Teddy back into my life, would I not be the Trevor Reece I was meant to be? What use is a person who refuses to come alive?
There is something within us that is the sum total of us all. It could be a collection of video games. It could be a couple of hairbrushes or even a ticket to an embarrassing concert. But we hold onto them because even in the darkest moments of our life, we can reach out to these things and remember exactly who we are.
I just draw funny pictures, but this is what brings me to life. I had forgotten that for a while and in the process, lost a part of myself. But Teddy was there to bring it back.



33, 34, 35…
I’ve begun to count the blueberries every time she said the word “lonely.”
I’m up to 35. I still haven’t said a word to her.
“I’m sorry that it happened this way,” she says almost convincingly. “I was just so lonely that I needed you around.”
The best part about being dumped in a public place is, if your heart isn’t ripping apart at the seams, you can really savor the awkwardness of the whole situation, just as I was planning on savoring the vanilla yogurt in front of me. I have never seen blueberries look so good in yogurt. Both the situation and the yogurt look delicious.
This person, in my case Elly, has decided that she was going to break up with me because it wasn’t working for her. So she decided to meet in a public place to lie out this life-altering situation, which is for her protection from me voicing my opinions with using the volume and diction I would prefer to use. Breaking up in a public place is the definition of self-interest.
Normally, I wouldn’t give a fuck about the patrons. While its not their fault that she came up with this plan, everyone knows that pain of heartbreak and excuses normally rude behavior. But I have an ace in the hole. I know why she is breaking up with me.
Thanks to Kyla, another ex-girlfriend (but that is different story all together), I’ve known for about two weeks now. I’ve known about her fucking Brad and all that and how they were going to be dating soon. All that garbage was old news at this point. Elly and I had talked about it a few days ago and she denied it, but I trust Kyla. There is something about the first girl who lets you see her boobs that builds trust.
And that brings us to why it is a good thing that I know. I can control the situation. I don’t need to say a goddamn word because I have all the information. And so I can really savor the yogurt that was sitting right in front of me. It’s a plain vanilla, but the blueberries look like they were going to be the perfect compliment. It also helps that I punch a hole in my apartment wall when I found out the news that she was going to break up with me.
“I just need some time apart. I need to remember who I am outside of a relationship.”
Bullshit. We’ve been together three months. I take my first bite. Oh Lord, thank you for blessing me with this yogurt.
“I don’t want to string you along and make you think you’re in something you’re not.”
A one-sided relationship? In the middle of unrequited feelings? Sister, being in the middle of that has been old hat since the second grade. God, I want to fuck this yogurt.
“I just need to see what is out there for me, but that means breaking up with you and that hurts me so much.”
I almost spurt out some venom, but it seems such an unkind thing to do in the presence of this yogurt.
She sits in silence, waiting for my reaction to this shocking news of our imminent demise, but I let her suffer in not knowing how I feel. I remain silent as well and slowly crush a blueberry’s juices out between my teeth. I don’t trust my acting ability to pretend to be saddened by all this, but I am focusing all of my energies on enjoying the yogurt. I begin to position myself as if to talk, knowing that she has been waiting to hear how I am taking the news. She needs validation that she is a good person.
That isn’t going to come from me. I open my mouth, as if to speak, only to pick up a napkin and clean off some of the yogurt. I bring the spoon to my mouth and enjoy another bite. She sighs. “Would you please stop eating the yogurt and talk to me? I need to know how you feel and you are just not even present in this. You are paying more attention to the yogurt than you are me.”
There is one bite left. I scoop it up and stare her straight in the eyes. “This yogurt wasn’t fucking Brad.” I lick it clean and walk out. Nobody disrespects a dessert that delicious. Especially some skank.